They actually filmed a gogo dancer in their building for the occasion.
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The dancer was rotoscoped (traced from actual film) every 12th frame and then software interpolated.
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Were there parts where inbetweening was manual and not computer done - this seemed the case where the woman was dancing?Īll in-betweening was by software. The graphics controller was home grown design and built in the lab at the National Research Council of Canada (NRC). There was no command line interpreter and all control was from the display, an IDI point plotting display (Carl Machover was VP of IDI).
The computer's realtime strength was in its interrupt system. Memory was 8K words or 24K bytes with 1.75 microsecond cycle time. The 24 bits were well suited for 2 analog quantities such as 12 bit coordinates. It had wordlength of 24 bits, because it was a realtime computer for command and control and data acquisition. The computer was an SEL 840A - SEL later became Gould. What kind of computer and hardware were used? A miniaturist can work for seven years on a single work nobody says that Rembrandt’s paintings are less beautiful only because he spent less time on them.ġ976 interview with Marceli Wein about Hunger: And I work faster, because the machine frees the artist from the fatigue of labor. With a computer, I can still make metamorphoses, but with greater control over each line of the drawing, which I can move as I please. Visages des femmes was a perpetual metamorphosis, created by handmade drawings. The language of the 20th Century is technology.
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